Digital Cameras

ARRI

ARRI Alexa XT Plus

The Alexa XT (Xtended Technology) improves on the base Alexa model with in-camera ARRIRAW recording, internal ND filtration, 4:3 Super 35mm sensor, LDS PL mount, anamorphic de-squeeze and a nearly silent fan. The Alexa XT guarantees reliability, ergonomics and efficient workflows.

ARRI Alexa Mini

The brand new Alexa Mini is compact, efficient and lightweight, making it a versatile addition to the Alexa series. Combining the powerful image capture capability of the Alexa series in a super small body, the Alexa Mini is ideal for handheld, run-and-gun shoots as well as studio work.

ARRI Alexa 4:3 Plus

The Alexa 4:3 Plus has similar functionality to the Alexa with some key additions: the ability to switch between 16:9 and 4:3 sensor modes, built-in licenses for high speed shooting, DN x HD recording and anamorphic de-squeeze. The full area of the sensor is used and a much higher image quality is retained.

ARRI Amira

The Amira is a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Capable of in-camera grading with pre-loaded 3D LUTs and 200 FPS slow motion, the Amira is suitable for a great variety of production types.

SONY

Sony F55

The F55 offers unprecedented flexibility with internal recording codecs and the choice of HD, 2K, QFHD and 4K resolutions. The camera’s 16-bit Linear RAW 4K output enables it to register every nuance of color, contrast and detail.

Sony FS7

The PXW FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation. The FS7 features a 4K Super 35mm Exmor CMOS sensor and support for shooting in 60p or Full HD at high frame rates up to 180 FPS.

RED

Epic Dragon

The 6K resolution of the Dragon sensor delivers 19 megapixel RAW frame images – up to 9 times more pixels than 1080p HD. That means better VFX plates, reframing flexibility and less aliasing artifacts and moiré. The Dragon offers a native dynamic range of over 16.5+ stops and an improved signal-to-noise ratio.

Epic MX

The Epic captures up to 120 frames per second, each at full 14MP resolution. The Epic is a DSMC™ (Digital Still & Motion Camera), designed for ideal functionality in either situation. Epic also includes native dynamic range of over 13 stops and resolution that exceeds 35mm motion picture film.

CANON

Canon C500

The Cinema EOS C500 4K Digital Cinema Camera capitalizes on the ergonomic design of the C300 and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition.

Canon C300

The EOS C500 provides cinema-quality image capture with features such as a Super 35mm CMOS sensor, Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec.

Prime Lenses

LEICA

Leica Summilux T1.4 (NEW!!!)

18mm, 21mm, 25mm, 29mm, 35mm, 40mm, 50mm, 65mm, 75mm, 100mm

Leca Summicron T2

18mm, 21mm, 25mm, 29mm, 35mm, 40mm, 50mm, 65mm, 75mm, 100mm, 135mm

ARRI/ZEISS

Zeiss/Arri Master Primes T1.3

16mm, 21mm, 25mm, 27mm, 32mm, 40mm, 50mm, 65mm, 75mm, 100mm, 135mm, 150mm

Zeiss/Arri Ultra Primes T1.8

14mm, 16mm, 24mm, 32mm, 40mm, 50mm, 65mm, 85mm, 100mm, 135mm

Zeiss Super Speeds T1.3

18mm, 25mm, 35mm, 50mm, 85mmm

Zeiss Standard Speeds T2.0

14mm, 16mm, 24mm, 32mm, 40mm, 50mm, 85mm, 100mm, 135mm

COOKE

Cooke S4i T2.0

14mm, 18mm, 21mm, 25mm, 27mm, 35mm, 40mm, 50mm, 65mm, 75mm, 100mm, 135mm

Cooke S4 Mini T2.8

18mm, 25mm, 32mm, 40mm, 50mm, 65mm, 75mm, 100mm, 135mm

Cooke Panchro S3/S4 (rehoused) T2.3

18mm, 25mm, 32mm, 40mm 50mm, 75mm, 100mm

 

Zoom Lenses

ANGENIEUX

Optimo 24-290 T2.8

Optomo 28-340 T3.2

Optimo 17-80 T2.2

Optimo 15-40 T2.6

Optimo 28-76 T2.6

Optimo 45-120 T2.8

Optimo Rouge 16-42 T2.8

Optimo Rouge 30-80 T2.8

Optimo 25-250 T3.4

25-250 HR

 

COOKE

Cooke 20-100 T3

 

FUJI

Fuji 24-300 T2.8

Fuji 19-90 T2.9

Arri Alura 18-80 T2.6

Arri Alura 45-250 T2.8

Arri Alura 30-80 T2.8

 

OTHER

Tokina 11-16 T2.8

GL Optics 18-35 T1.8

 

 

Anamorphic Lenses

COOKE

Cooke Anamorphics T2.3

24mm*, 32mm, 40mm, 50mm, 75mm, 100mm, 135mm*

ARRI

Arri Master Anamorphics T1.9

35mm, 40mm, 50mm, 60mm, 75mm, 100mm, 135mm*

OTHER

Kowa Prominar Anamorphics T2.4/3.2

40mm, 50mm, 75mm, 100mm

Lomo Roundfront Anamorphics T2.2/3.2

35mm, 50mm, 75mm, 100mm

Cineovision/ToddAO Anamophic T1.4

35mm, 50mm, 85mm

*Delivery fall 2015

Monitors

Sony 17″ OLED Monitor

Sony 25″ OLED Monitor

Panasonic 17″ Monitor

TV Logic 5.5″/5.6″

TV Logic 7″

Small HD DP7

Small HD AC7

Accessories

Coming Soon

Support

O’CONNOR

O’Connor 2575 Fluid Head

O’Connor 2060 Fluid Head

O’Connor 1030 DS Fluid Head

CARTONI

Lambda 3 Axis Head

EASYRIG

Easyrig 500N

Easyrig 600N

Easyrig 700N

OTHER

Tango Head

Movi M15

Serene Arm

Sound City (2013) - Directed by Dave Grohl

Sound City (2013) – Directed by Dave Grohl

Godzilla (2014) - Warner Bros. Pictures

Godzilla (2014) – Warner Bros. Pictures

thumb-funnyotdie

Funny Or Die

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Bose TV commercial (2013) Directed by We Are The Rhoads

Bose TV commercial (2013) Directed by We Are The Rhoads

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Cop Car (2015 Focus World) Directed by Jon Watts

Cop Car (2015) – Focus Features